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Kill Your Darlings (2013)

KYD_QUAD-585x442Review by-Jarrett Leahy

Based on a true story, Kill Your Darlings tells of early beginnings of the Beat Generation and the dramatic events surrounding famed writer/poet Allen Ginsberg’s time spent at Columbia University. After being accepted into Columbia’s English program in the fall of 1943, Ginsberg quickly becomes frustrated with the department’s traditional conformist instruction. His increasing dissatisfaction leads to his openly questioning a professor’s conventional teachings during class. This verbal confrontation captures the attention of Lucien Carr, a brash, charismatic student who is full of his own grand anti-establishment ideas. The two instantly connect, and through Lucien, Allen is introduced to fellow rebellious writers William Burroughs and Jack Kerouac. As the four begin sharing their beatnik ideas for the future of writing and literature, they decide to create a self-proclaimed movement called The New Vision, with each pushing the other to think and write more unconventionally and imaginatively. This of course angers the university establishment which only fuels their newly formed beliefs. Drama arises however when David Kammerar, an eccentric and secretive companion from Lucien’s past life re-emerges. As Lucien and David’s capricious friendship begins to further splinter, an inevitable boiling point threatens not only the future of the group but each member in it.

Kill Your Darlings is a confident piece of cinema from a first time director, John Krokidas, who was also the co-writer of the screenplay. Visually portraying a writer’s inspiration and creative arousal can be a burdensome task for even the most veteran of filmmakers. If done inadequately, scenes meant to beguile the audience can instead feel dull and lackluster. Krokidas’ shrewd use of flashbacks and drug induced hallucinations keep us fully engaged in this turbulent true story while helping us better understand how obsessively committed these ingenious writers were to their craft.
kill_your_darlingsAnytime Daniel Radcliffe of Harry Potter fame appears in a film it becomes fodder for those looking to see if he will succeed or fail as an adult actor. Kill Your Darlings should prove to any doubters that Radcliffe truly has the acting talents to move beyond his Harry Potter persona. Since the billion dollar franchise ended three years ago, Radcliffe has made a concerted effort to choose parts, both in film and on stage, that are both mature and risk taking. His role of Allen Ginsberg, a closeted homosexual who is just beginning to discover his true self, would certainly fall under both of those categories. Radcliffe captures the true essence of Ginsberg, emanating the exuberance of a gifted, wide-eyed young writer on the verge of greatness and the anguish of a man whose romantic feelings aren’t reciprocated.
kill-your-darlings-trailer-dan-radcliffe1As pleasantly impressed as I was with Radcliffe, the film’s standout performance comes from Dane DeHaan’s fervid portrayal of Lucien Carr. DeHaan’s recent rise in acclaim (he is starring in this year’s latest Spider Man effort) was brought about by his noteworthy supporting performance in last year’s outstanding crime drama, The Place Beyond the Pines. DeHaan’s Lucien is a tormented soul, blessed with an almost manic gift for outside-the-box ideas, but also haunted by a past that he can’t seem to fully run away from. Together on screen, Radcliffe and DeHaan flawlessly portray the uncomfortable sexual tension created by Ginsberg’s conspicuous infatuation for Lucien.

Taking advantage of a gifted cast that includes not just Radcliffe and DeHaan, but also Michael C. Hall (Dexter, Six Feet Under), Ben Foster (Lone Survivor, The Messenger), Jennifer Jason Leigh (Road To Perdition, Fast Times at Ridgemont High), and Elizabeth Olsen (Martha Marcy May Marlene, Liberal Arts), Krokidas’ account of this dramatic true story is an entertaining nail-biter from start to finish. With such a strong directorial debut effort, Krokidas is definitely a filmmaker that will be worth keeping an eye out for in the near future.-JL

Grade: B-


Edited by-Michelle Zenor
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The Past (2013)

THE-PASTReview by-Jarrett Leahy

In 2011, Iranian writer/director Asghar Farhadi made a tremendous splash on the international film scene with his masterful family drama A Separation, a movie that earned him a throng of awards including the 2011 Oscar for Best Foreign Language Film. The Past or Le Passe is Farhadi’s follow-up film. Like A Separation, The Past is an engrossing family drama that skillfully engulfs the viewer from the opening scene.
Film still from The Past by Asghar FarhadiAhmad, an Iranian man who four years prior had left his French wife Maria and her two children from a previous marriage, has now come back to Paris to finalize their divorce. During his return, Ahmad discovers that in his absence Maria has started a relationship with another man, Samir, who along with his son Fouad, has recently moved into Maria’s house. To make matters even more convoluted, Samir is still married to a woman who has been hospitalized for the last eight months in a coma, a situation that infuriates Maria’s oldest daughter Lucie. Though residual sentiments between Ahmad and Maria are clearly evident, it is the many untold secrets surrounding Maria and Samir’s love affair that creates a tension filled atmosphere that only becomes more agitated by the effects it has on the children involved.
339670_Farhadi-the pastBerenice Bejo’s portrayal of Maria is the standout of three very distinguished performances. Bejo, who earned an Oscar nomination for her performance in the 2011 surprise hit, The Artist, is able to further display her adroit acting range with this emotionally complex character who is being torn between a man she can’t fully have and a daughter whose instigative comments and actions only make the situation worse. Through Bejos’ outward display of Maria’s inner strife, we empathize with this woman even in spite of her conspicuous flaws.
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Another performance deserving of praise is that of young actor Elyes Aguis, who made his screen debut playing Samir’s son Fouad. With a mother hooked up to machines and a father who is now living with another woman, Aguis’ impetuous outbursts so perfectly exhibited the confusion and anxiety of a boy who is uncertain of his confounding and irresolute world.

Though not quite as moving as A Separation, The Past is still an enthralling, pressure packed family drama with adept depictions of guilt and regret. The film’s emotionally complex and entangled storyline remains engrossing throughout thanks in large part to Farhadi’s gifted ability to slowly and deliberately reveal the many layers of his intricate story, each building on the last, leading to an understated yet deeply haunting ambiguous ending that leaves you with more unanswered questions.

Grade: B+

Edited by-Michelle Zenor
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Top 6 Lists-Director Richard Linklater

List by-Jarrett Leahy

In honor of his newest celebrated film Boyhood, my most anticipated movie of 2014, this week’s Top 6 List is dedicated to the gifted and diverse efforts of director/auteur Richard Linklater. Though like most filmmakers, Linklater has had a dud or two (I’m looking at you Fast Food Nation), overall his resume is so strong that I couldn’t find room in his top 6 for the dark and impressively disturbing animated dystopian A Scanner Darkly or his hilarious, feel good comedy School of Rock. Whenever I finally get the chance to see Boyhood, it will be interesting to see if it winds up cracking this list…

6. Bernie (2011) Set in the small East Texas town of Carthage, Bernie is a black comedy that uses both screen acting and interviews with real Carthage citizens to tell the true story of local mortician Bernie Tiede and his scandalous involvement in the death of wealthy widow and town shrew Majorie Nugent. Jack Black gives what might be his best performance to date as the loving and a bit effeminate Bernie and Shirley MacLaine completely embodies the cantankerous personality of Mrs. Nugent. Adding to the talented cast is fellow East Texas native Matthew McConaughey who brings his unique bravado and humor to his character of brash local district attorney Danny Buck.
BERNIE-articleLarge5. Me And Orson Welles (2008) Right before famed actor/filmmaker Orson Welles set the world on fire with his now legendary directorial debut Citizen Kane, he was the brazen and extremely gifted young leader of the Mercury Theatre in New York City. Me And Orson Welles is a fictional retelling of the stage production of Julius Caesar and the high school student and aspiring actor who manages to impress with an impromptu audition to land a part in the play. Thanks in large part to Christian McKay’s perfectly spot-on braggadocio portrayal of Orson Welles and a surprisingly adept performance by Zac Efron as the young high schooler Richard Samuels, Linklater was able to so delightfully capture the chaotic and fascinating behind the scenes action of a theater company .
me_and_orson_welles034. Slacker (1991) The low-budget indie hit that started it all, Linklater’s directorial debut is not a movie in the traditional sense of a plot driven story, but a multi-character experimental film filled with random dialogue and observational humor as the camera follows around dozens of uniquely peculiar “Austinites” as they walk and talk around the city of Austin, TX. A movie that captures how entertainingly weird Austin is before it became cool to admit, Slacker is a film you’ll enjoy if you can pick up on the unconventional offbeat vibe.
slack_01_jpg_594x334_crop_upscale_q853. Waking Life (2001) While in a type of lucid dream state, a man meets an assorted array of people and has wonderfully intellective discussions about the meanings and purposes of the universe. Another avant-garde film from Linklater, Waking Life utilized the animation technique of rotoscoping or animating over live action footage. But instead of doing it by hand, Linklater’s team of artists used computer graphic software, a process that reportedly took up to 250 hours to make one minute of animation. But it was worth the time spent when you see the amazingly kaleidoscopic and hallucinatory visual depictions of this lucid dream world. Waking Life is a thought provoking piece of cinema that focuses on heady topics like dreams, consciousness, and existentialism, which I know sounds a bit depressing, but is in fact wildly fascinating and stimulating. I wish more people would see this great film.
waking-life12. Dazed and Confused (1993) On the last day at a small Texas high school in May of 1976 the new seniors celebrate the end of another school year while continuing the town’s tradition of hazing the new crop of incoming freshmen. Chock-full of young future stars including Ben Affleck and Matthew McConaughey who was making his first screen appearance, Dazed and Confused adeptly captures the boredom, fears, and crazy antics that most teenagers experience as they try to survive their formative years. Dazed is a type of comedy that gets better with each viewing, and that’s all you can ask for in a great movie.
Dazed-Confused-dazed-and-confused-387158_600_3221. The Before Trilogy (1995, ’04, ’13) Could there be another number 1 on this list? I’ve gushed over these films enough on this site, so what I’ll simply say is Richard, Ethan Hawke, and Julie Delpy have created one of the most exceptional and unprecedented love stories ever captured on screen.-JL
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Tweet Film Society-The Criterion Collection

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Written by-Jarrett Leahy

Jason and I both proud members of the recently created Tweet Film Society.  As a way of honoring our collective appreciation for the gifted film company, the Tweet Film Society dedicated the month of March to The Criterion Collection.  As part of the month long celebration, the society asked each member to submit a ballot of our 10 personal favorite films in the Criterion Collection.  As difficult as it is to pick ONLY 10 films from a list of the some the greatest films ever created, we both sat down and picked some of our personal favorites. Later today, Tweet Film Society will tally up the votes and announce which films led the voting from all the members. For those who might be interested, I thought I’d share our ballots. (And for those wondering why Michelle didn’t cast a ballot, she has still not joined Twitter, so sadly is not a voting member of Tweet Film Society)

JARRETT’S BALLOT:
J criterion

JASON’S BALLOT:
jason criterion

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About Time (2013)

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Review by-Jarrett Leahy

Sweet and timidly wide-eyed, Tim Lake would never be described as a lady’s man. However, after another fruitless New Year’s Eve party, Tim is sat down and informed by his father of an absurdly unthinkable family secret. All the men in the Lake family have the ability to time travel. While they can’t alter history, or as is father put it, “you can’t kill Hitler or shag Helen of Troy,” they do have the ability travel back in time and change any moment they have experienced in their own personal past. After disbelief and a mind-altering trial run, Tim decides the best way to utilize this preposterous new power is to use it to…get a girlfriend. Tim quickly finds out however that this won’t be as easy as he initially anticipated.
About TimeDomhnall Gleeson, the Irish actor who plays Tim is a gifted star in the making. Originally known for playing Bill Weasley in the final two installments of the Harry Potter series, Domhnall continued to cut his acting teeth with notable supporting performances in films like the Coen Brothers’ remake of True Grit and Joe Wright’s adaptation of Anna Karenina. In About Time, Gleeson is asked to do the near impossible, make the audience believe he can actually travel through time. Not only does Domhnall capably convince us, he’s able to perfectly capture the lovably awkward charm that is Tim Lake.
About Time trailer - video
Not to be outdone, Gleeson’s alluring co-star Rachel McAdams also enchants. McAdams’ Mary is equal parts exuberantly quirky and adorably unsure. The chemistry these two actors were able to create is playful and genuinely sincere. The film’s comedic relief is brought most notably from acting veteran Bill Nighy, who has been in all of Curtis’ films. His portrayal of Tim’s dad personifies both a nonchalant irreverence and a loving appreciation for the unique circumstances this odd gift has afforded him.

Set in England, About Time takes full advantage of all the country’s fabulous scenic surroundings. Whether showing off the beautiful cityscape of London, or a tranquil beachfront of the English coastline, each scene highlights the best of what the country has to offer. Because About Time involves time travel, the pesky issue of the “butterfly effect” is always present. However, instead of trying to give a long, dull explanation on how they have avoided such difficulties, I actually appreciated the way the film playfully shrugs it off. After all, when more closely examined, About Time really isn’t a film about time travel. Instead it is a romantic fantasy that simply uses the premise of time travel to help with its bigger message about cherishing life’s little moments.

Over the years, some have tried to dismiss writer/director Richard Curtis’ work as too affectionate and schmaltzy. But after watching About Time I’ve come to the conclusion that Curtis is in fact the modern day embodiment of legendary director Frank Capra. Like many of the Capra’s most celebrated classics, each of Curtis’ films, Love Actually, Pirate Radio, and About Time are romantic, playfully humorous, and unapologetically sentimental. Some don’t appreciate that kind of mawkishness, but you can call me a Curtis devotee. With this movie Curtis has created a worthy successor to his previous efforts. About Time is a Capraesque first-rate story that tugs on the heart and reminds you to stop and enjoy the wonders of everyday life.-JL

Grade: B

Edited by-Michelle Zenor