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Proud to Welcome Two New Contributors!

Written by-Jarrett Leahy

1374858_10202235252420597_698872034_n (2)I am proud and excited to announce the addition of not one but two new contributing writers to AmateurCinephile.com. If you’ve been paying any attention to recent reviews, you’ll have noticed the recent inclusion at the bottom of the page, Edited by-Michelle Zenor. An English professor by trade, Michelle has an encyclopedic knowledge of the complicated world of English grammar, making her the perfect selection for the position of editor for AmateurCinephile. In addition, Michelle also is an extremely gifted writer with a shared love for the wonders of cinema, especially films from Cary Grant and Audrey Hepburn. I cherish her daily input about the site, and I look forward to reading her many future contributions.

37746_1321899086919_3333260_nMy second addition to the writing team is a very close friend and fellow cinephile, Jason Chandler. A Physical Education teacher in Las Cruces, NM, Jason has a true passion for movies and is not afraid to take chances on lesser known films. A connoisseur of the western genre, Jason has special fondness for the efforts of the late, great Sam Peckinpah.

The inclusion of these two very knowledgeable and passionate film lovers will help raise the quality of information shared on the site. I hope you will welcome them as you have welcomed me.-JL

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Top 6 Lists-Under-appreciated Brad Pitt Films

List by-Jarrett Leahy

This week’s Top 6 List is in honor of Brad Pitt, who can finally be called an Academy award winner after receiving an Oscar for his producer credit on 12 Years a Slave. When examining resumes of actors considered movie stars, rarely do you ever hear them described with words like diverse or risk taking. But if you closely examine a film list of Brad Pitt, you will find an amazing range of genres and roles that lesser actors would not have the skill or courage to attempt. In fact, I still hold out hope that one day he’ll receive an Oscar for his underrated acting talents. With this week’s list however, I did not want to just highlight the six films I personally think are his best but instead shed some light on movies and performances I feel should truly be better appreciated in the hope that more people will give these films a chance…or second chance.
Brad Pitt
6. Kalifornia (1993)
A journalist and his photographer girlfriend embark on a road trip to research various serial killer murder sites. Unbeknownst to them, one of the two companions who tagged along to help pay for gas is in fact a serial killer himself. Released a year before Natural Born Killers, Kalifornia was initially written off by critics and all but ignored by film fans. However, over the years it has built a bit of a cult following thanks in large part to Pitt’s terrifying and immersing performance as serial killer Early Grayce.

5. Sleepers (1996) After a prank goes tragically wrong, four childhood friends are sent to a youth detention center where they are abused by the guards in charge. Now adults, a chance encounter with one of the former guards leads to an unexpected opportunity for revenge on their attackers. Brad Pitt plays Michael Sullivan, an assistant district attorney who is in charge of the subsequent trial. Joining Pitt in Sleepers is a top notch cast that includes Robert De Niro, Dustin Hoffman, Kevin Bacon, Minnie Driver, and Jason Patric. The greatness of Sleepers is despite its very difficult subject matter, the lasting image and feeling of the film is the heartfelt camaraderie shared between these four lifelong friends.

4. Spy Game (2001) Pitt teams up with Robert Redford (another movie star who’s acting talents have also been taken for granted over the years) in this tense C.I.A. spy thriller. When Tom Bishop (Pitt) gets caught attempting to break out a prisoner from a Chinese prison, retiring C.I.A. agent Nathan Muir (Redford) is forced to act quickly before the higher ups in the agency act on political paranoia and cut ties with Tom, sacrificing him in the name of bureaucratic diplomacy. From the opening scene, it’s an absolute treat seeing the genuine affinity between these two giants of their profession, with each playing off the other in this taut, fast-paced thriller directed by the late Tony Scott.

3. The Assassination of Jesse James by the Coward Robert Ford (2007) The first of two collaborations between Pitt and director Andrew Dominik on this list, Assassination is a dreamlike, highly stylized western that tells the story of the last days of famed outlaw Jesse James. Joining Pitt, who plays the title character, is an impressive cast that includes Casey Affleck, Sam Rockwell, Jeremy Renner, Sam Sheppard, and Mary-Louise Parker. Heralded by some as Pitt’s finest performance, The Assassination of Jesse James was criminally ignored upon its initial release by Warner Bros., who publicly expressed concerns over the editing of the film. Pitt’s backing of Dominik’s vision for the movie helped get the studio to back down, but in turn they refused to give any advertising support to the film. A strong showing at the Venice Film Festival that included Pitt winning the Best Actor award helped build on the positive word of mouth surrounding the movie leading to Assassination being named to twenty different critic top-10 lists for 2007.

2. Meet Joe Black (1998) Pitt joined Academy award winner Sir Anthony Hopkins in this romantic fantasy directed by Martin Brest of Scent of a Woman and Beverly Hills Cop fame. William Parrish (Hopkins), an aging media tycoon is asked to be the guide for Death, who has taken human form in the body of a young man (Pitt) with the hope to learn more about life on Earth. Pitt’s wide-eyed and innocent portrayal of “Joe Black” is sublimely poignant, as this supernatural entity learns about the smaller pleasures in life, like the calming effect a spoonful of peanut butter can offer. The sizzling chemistry between Pitt and Claire Forlani, who plays William’s daughter Susan, is another of the film’s high points. Over the years some have expressed issues with the film’s almost three hour length. But I have found if you truly buy into this supernatural story and its perfect cast of characters, the film’s length only aids the telling of this charming, picturesque tale.

1. Killing Them Softly (2012) Based on the George V. Higgins 1974 novel, Cogan’s Trade, Pitt and director Andrew Dominic team up again for this stylized drama about the dirty underworld of organized crime. Killing Them Softly tells the story of Jackie Cogan (Pitt), a mob hit man called in to clean up the mess caused when three low level criminals rob a mob-run card game.  Along with a first-rate gangster story, Killing Them Softly is also a biting, whip-smart allegory of the 2008 U.S. economic crisis and is the perfect example of the artistic chances Brad Pitt has been taking lately with his choice of movie roles. The chief complaint about the film generally revolves around its political message, but some have expressed issues with there being too much dialogue and not enough action. I think it’s a shame that somewhere in the last decade, smart, sharp, highly crafted dialogue has become something of a detriment to a film as opposed to the highlight it should be. My hope is, as time passes, more people will recognize the gifted filmmaking talents present in this slick crime drama.-JL

Edited by-Michelle Zenor
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Inside Llewyn Davis (2013)

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Review by-Jarrett Leahy

After three decades of Hollywood success that includes the likes of the 2007 best picture winner No Country for Old Men, Fargo and The Big Lebowski, filmmakers Joel and Ethan Coen’s cinematic reputation has deservedly earned them the right to create whatever they want.  Inside Llewyn Davis, in all its somber beauty, is the perfect example of this creative freedom and latest cinematic challenge to their fellow film fans.  Set during the early 1960’s New York City folk music scene, Inside Llewyn Davis is the story of a down-on-his-luck folk singer and his arduous odyssey to survive and be heard.  Llewyn Davis is an emotionally damaged, self-centered prick who seems to be able to express himself only through his music.  Formerly part of a duo, Llewyn is now forced to try to make it as a solo artist after his singing partner tragically died. Scraping by for every penny, Llewyn mooches off any friend who is kind enough to let him crash on their couch.  Snidely sarcastic, Davis can’t seem to buy a break, either in life or in the ever blossoming music scene, mainly due to his inability to get out of his own way.

Black humor in its simplest terms is comedy that makes light of serious subject matter, and by that definition Inside Llewyn Davis is a black comedy. Unfortunately, due to the painfully drab existence Llewyn finds himself living in, laughs are hard to come by. In fact, the funniest character in the whole film just might be the cat Llewyn is forced to take with him after they are both locked out of a friend’s apartment. As with every Coen Brothers film, the cinematography is second to none. So skillfully were they able to capture the look and feel of a 1960’s folk bar, that at times you feel as though you are there among the smoke filled crowd. Oscar Isaac, who performs all his own music in the film, offers a profound performance as Llewyn. Isaac fully commits to the role, never afraid of coming off as too prickly in the eyes of the audience. Most years, Isaac would have been a shoe-in for a Best Actor nomination; unfortunately for him 2013 was not like most years.
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The supporting cast includes John Goodman as Roland Turner a crippled, drugged out jazz musician, and Justin Timberlake and Carey Mulligan who play the folk singing duo/couple Jim and Jean. Unfortunately, because the film is so wrapped up in the pessimistic moroseness of Llewyn’s world, these extremely talented actors wind up being all but wasted. The development of each supporting character only goes surface deep, each offering us one or two catchy one-liners that serve to constantly remind the viewer that Llewyn is a self-absorbed dick. The most surprising disappointment for me is Mulligan’s Jean. Stereotypically portrayed as a type of jilted lover, Jean’s biggest contribution to the film is her constant barrage of insults thrown at Llewyn every time they are in the same room together.

But for every disappointment the story may have, the film certainly makes up for it with its throng of wondrously melancholic music. If any aspect of Inside Llewyn Davis truly had the right to complain about being snubbed by the Oscars, it is the music department for the film. How they weren’t honored with at least a nomination is rather bewildering. From the opening scene, we can see the true artistic talent oozing from Llewyn; unfortunately his lack of connection with people in his real life seeps into his work. Only in his final performance of the film, after hitting what appears to be rock bottom, do we see Davis truly let loose, infusing his passion for song and in turn unleashing an emotional resonance that was missing in his earlier performances.
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Some have expressed disappointment that Inside Llewyn Davis was all but ignored by the the Academy this year, only receiving two Oscar nominations for cinematography and sound editing. After finally seeing the film, I unfortunately have to agree with the Academy that it just wasn’t on the same level as the nine films that received Best Picture nominations. Inside Llewyn Davis toes the line between poignantly beautiful and painfully melancholic.  Some will be turned off by its pacing, Llewyn’s often cantankerous personality, and the fact that there isn’t your typical happy ending. However, it is still a technically sound and skillfully made film, and there is a large number of film fans who found themselves truly moved by the Llewyn’s plight.  Because of that undying support, I foresee Inside Llewyn Davis eventually joining the long list of films that receive cult classic status.-JL

Grade: B


Edited by-Michelle Zenor
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Mr. Nobody Finally Released on DVD

Mr._Nobody_(film_poster) mr-nobody-poster
While walking around the DVD section of Walmart this morning, I just happened to stumble across a certain film that has been on my cinema radar for quite some time.  Back in 2009, Jared Leto of Dallas Buyers Club fame, made a small independent psychological science fiction film called Mr. Nobody.  Despite mostly positive reviews from critics at the time and an ever-growing army of adoring fans, Mr. Nobody was all but ignored in the U.S. for years by distributors.  Finally in November of last year, Magnolia Pictures stepped up and agreed to release the film in select U.S. theaters.  Now, with the amazing success of Jared Leto’s recent Oscar winning performance, it appears that Magnolia is rightfully trying to cash in on their investment by releasing Mr. Nobody on DVD.  I have not yet seen this film myself, but with it finally being available on Netflix, I will soon have the opportunity.  All indications are this is a very heady, psychologically dense film that’s probably not be for everyone.  However, I just wanted share my personal excitement to those who might also enjoy more experimental cinema or just looking for something different, if so Mr. Nobody is a film that might also pique your interest.  Happy viewing!-JL

http://www.imdb.com/title/tt0485947/?ref_=nv_sr_1

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The Imposter (2012)

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Review by-Jarrett Leahy

On June 13th, 1994 a 13-year-old boy named Nicholas Barclay goes missing from his rural neighborhood located just north of San Antonio, TX. For the next three years, the Barclay family searches in vain to find their missing child, when miraculously they are contacted by officials located in Spain who have information regarding the whereabouts of a young man claiming to be their kidnapped son. From that starting point unravels an implausible and astonishing story that by the end will leave you floored.
Missing poster-Nicholas Barclay-946271

The Imposter retells the story of Frederic Bourdin, a French citizen who duped a family in Texas into believing he was in fact their child who had gone missing over three years prior. Through the use of interviews, both with the various members of the Barclay family and with Bourdin along with various archival news footage, we slowly discover how lies on top of lies snowball and set in motion one of the most preposterously brazen attempts at fraud and identify theft ever reported. So many questions arise as this story reveals its many secrets. How did the family allow themselves to taken in by this person? If put in the same situation, would I be swindled as well? How did our government allow this person into our country? How did the filmmakers of this documentary convince the family to agree to do these interviews?

But as the movie poster states, “There Are Two Sides To Every Lie,” and just when you think you know how things are going to turn out, the rug is pulled out from under you. Frustrations and disbelief with the people involved quickly turn to astounding bewilderment as the final twenty minutes of this film smacks you in the face with more twist and turns than Lombard Street in San Francisco. An emotionally evocative roller coaster ride, The Imposter is one of the most suspenseful and intriguing documentaries of recent memory.-JL

Grade: A-


Edited by-Michelle Zenor